Journeys

Belger Crane Yard Gallery presents Journeys opening Friday, October 1, 6 pm – 8 pm at 2011 Tracy Avenue, Kansas City, MO 64108. Artists’ remarks at 6:30 pm. The exhibition will remain on view through January 8, 2022.

Journeys features the ceramic works of nine artists who were either born in China or are of Chinese descent. The exhibition explores themes of identity in a multicultural world, examining both the juxtapositions and intersections between Eastern and Western cultures. Duality and the vacillation between two worlds is present within each artist’s body of work as well as throughout the exhibition.

The passage of time is captured in the crumbling facades of Yewen Dong’s two large-scale wall works. These unfired clay tiles explore the residual traces of touch and memory. Memory also plays a role in the floral porcelain pieces by Wanying Liang. Liang’s works give form to her memories of childhood in China, the questions she has for her mother, and personal struggles with her own body. The physical and mental distance between past and present drives the work of Jing Huang as she constructs ambiguous landscapes that are neither here nor there. Eliza Au utilizes computer-aided methods to reference historical architecture. Au’s wireframe-like pieces explore the limits of interior and exterior space, strength and fragility, and reference both mathematics and the patterns of religious ornamentation. In his series “Simulant,” Derek Au toys with concepts of authenticity and tradition with his use of alternative materials to mimic traditional Chinese porcelain and glaze. Fragility and strength, order and chaos, simplicity and complexity are all present in the amoeba-like forms of Shiyuan Xu. Xu’s porcelain structures reference cellular organisms and the rhythms of growth in response to internal and external forces. The relationship between position and perspective is central to the work of ChengOu Yu as he explores the way experience is distorted based on location. The tiny pottery landscapes of Nuokan Huang feel both contained and limitless—delicate scenes of personal space and boundless imagination. In contrast to the minuscule works of Nuokan Huang is the human-scale vessel of Sin-ying Ho. Ho’s work is covered in cultural, religious, and economic symbolism and touches on themes of dislocation, globalization, and identity. Journeys encompasses an intense blend of imagery combined with traditional and contemporary fabrication techniques and embodies a complex collision of cultures.