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Melissa Ragona is an associate professor of critical theory and art history in the School of Art at Carnegie Mellon University as well as an independent curator and critic. Her book, Readymade Sound: Andy Warhol’s Recording Aesthetics, is forthcoming from University of California Press. Her essays and reviews have appeared in October, Frieze, Art Papers, and numerous edited collections. Ragona has curated exhibitions and served as a curatorial consultant at various venues throughout the United States, including the Mattress Factory Contemporary Art Museum (Pittsburgh), the Miller Gallery (Pittsburgh), PPOW Gallery (New York), and the Museum of Modern Art (New York).