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Robert J. Quackenbush, Jr.

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When I was twenty-five, I knew that I was supposed to be a painter. Ultimately, it took me another twenty five years to get to a point where I had the freedom to pursue this dream on a full-time basis. During the intervening years I spent my available free time in art school. Wherever I lived I found a place to go to school. It started in Philadelphia at the Pennsylvania Academy of Fine Art and it continues to this day. Whenever I had a place to use as a studio, I painted. When I didn’t have space, I painted in my head. In 1996, I was able to free myself to paint on a full-time basis. I got into two group shows in 1997, and since then I have had fifteen more one-man shows and participated in numerous group exhibitions.

For almost four years ending in 2002, I participated in the Empire State College (SUNY) Studio Art Program. It was an opportunity to create work in New York City and have it critiqued by renowned artists, museum curators, art historians and art critics. For example, my work received favorable critiques on three occasions from Robert Storr (then curator of painting and sculpture at The Museum of Modern Art).

From 1996-2005, I had an opportunity to study with Alexander Shundi almost every Monday afternoon in his studio in Amenia, New York. Alex taught me how to see, how not to be afraid of my imagination, and, most of all, how to create work that made uncommon sense. I owe Alex a great debt of thanks.

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